The Titanic No. 217 Finger Brush is a smaller, more precise version of our No. 117, designed specifically for SFX work. Perfect for pressing down prosthetic edges in tighter areas...
Part of the Hybrid Studio Range, The Titanic No. 306 Flat Stipple Brush is your go-to for creating texture and blending in small, detailed areas. Its duo-fibre bristles ensure precision...
The Titanic No. 307 Flat Brush, part of the Hybrid Studio Range, is a versatile tool for spreading adhesives, laying down base layers, or cleaning up edges. Its 1/2-inch flat...
Part of the Hybrid Studio Range, The Titanic No. 308 Flat Angled Brush offers sharp, clean edges and broad coverage with its 1-inch angled design. Whether applying adhesives, removers, or...
The Titanic No. 309 Round Precision Detailer, part of the Hybrid Studio Range, is perfect for fine detail work in SFX and body painting. From gluing and veining to intricate...
Part of the Hybrid Studio Range, The Titanic No. 310 XL Filbert Brush is built for big jobs. Its wide, rounded bristles are perfect for large-scale SFX applications, body painting,...
The Titanic No. 311 Square Flat Brush is part of the Hybrid Studio Range, designed for full-area coverage and seamless adhesive application. Its 1½-inch square design ensures smooth, even layers,...
The Titanic No. 111 Splatter Brush is your go-to for adding realistic, random splatter effects to bring your looks to life. Perfect for creating blood splatter, dirt effects, or textured...
Mauling wound prosthetic which can be used for a wide range of different injuries. It's made from a soft platinum silicone and encapsulated in Baldiez. (dissolve with acetone)You will need...
